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the filmmaker chase burton reached out to me in september of 2017 about scoring his short film, MATHER, a science fiction inspired western fantasy about a starman who lands in a strange dry country and plants seeds that grow into stars. he consumes one of the stars and gives birth to a starchild. he learns that two great forces cannot cancel one another out; they must learn to live together.
burton's film was created and filmed in california with a Deaf crew and predominantly Deaf actors. the film itself, outside of the music, is completely silent. burton himself is Deaf.
chase would explain that he could 'listen' to my music by feeling it physically. i spent time studying two incredible Deaf musicians, evelyn glennie and christine sun kim. i also spent time studying methods like demonstrating rhythm and music through ASL (American Sign Language), how words can be similar but are defined and distinguished by handshape, location, movement, orientation and facial expression; that so much information is contained in simple hand motions and movements and that together they form intense and emotional contexts.
the result was a score written with basic sources- with sine waves and human voices and strings. chase's work is deeply personal; full of movement and joy and pain. my hope is that this music lives inside of that safely. i will forever be grateful to chase for inviting me to be a part of his film.
released March 13, 2019
written and produced by matthew steven pusti.
recorded 2017, at mother. soundtrack versions assembled in los angeles, ca, december 2017.
supported by 93 fans who also own “Mather (Original Motion Picture Soundtrack)”
I have been a huge fan of MAVS for years. The tracks with Jasmin always stood out and I always wanted more. Well, here it is, all I wanted, all you need. Such a solid album capable of eliciting emotion. ap0ph1s
supported by 69 fans who also own “Mather (Original Motion Picture Soundtrack)”
While the younger audience wants to listen to music they can relate to in terms of feelings and social issues, all I want is the speakers to explode to Perturbator's killer synths. This album is the crowning achievement of the entire synthwave movement for me. thecoldnebula